Music, neurology, and psychology in the nineteenth century.

Music, Neurology, and Psychology in the Nineteenth Century 2

This chapter examines connections between research in music, neurology, and psychology during the late-nineteenth century. Researchers in all three disciplines investigated how musicis processed by the brain. Psychologists and comparative musicologists, such as Carl Stumpf, thought in terms of multiple levels of sensory processing and mental representation. Early thinking about music processing...

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This chapter examines connections between research in music, neurology, and psychology during the late-nineteenth century. Researchers in all three disciplines investigated how music is processed by the brain. Psychologists and comparative musicologists, such as Carl Stumpf, thought in terms of multiple levels of sensory processing and mental representation. Early thinking about music processin...

Anthropological Study of Folk Music in Gilan Province in Iran (Instrumental Music)

Ethno-musicology is an academic field encompassing various approaches to the study of music that emphasize its cultural, social, material, cognitive, biological, and other dimensions or contexts instead of its isolated ‘sound’ component or any particular repertoire. The term ‘Ethno-musicology’ became common in1950, although the emergence of the field can be traced back to the late nineteenth ce...

Richard Wallaschek's Nineteenth-Century Contributions To the Psychology Of Music

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Abstract Despite the existence of long-standing ties between poetry and music, Sanāyi, the famous poet of the sixth century, was a serious opponent unlike many other poets. He overtly blamed music as erotic art and composed poems blaming music. The author describes Sanāyi’s opinion about music in this paper and explores the terms of his disagreement. In the meantime, social backgrounds of his...